27 August 2020

THE HORROR YET TO COME: WHOREDOM RIFE; NECROPHOBIC; KÖRGUL THE EXTERMINATOR; EURYNOMOS; KAWIR; YOTH IRIA; OCCULT BURIAL; MESSIAH; LOUDBLAST


Norwegian black metallers WHOREDOM RIFE release the 7” EP “Ride The Final Tide” through Terratur Possession/Ván Records.

The EP consists of the title track and a cover version of Manes´ “Maanens Natt”.

The band issued the following comments: "The Song ‘Ride the Final Tide’ shows a more aggressive side to the band and did not fit the album they are currently working on. Consider this a treat while you wait for the upcoming fullenght. The EP also includes a cover of Manes -‘Maanens Natt’, a band that always meant a lot for the local scene here, and who’s been close conspirators for over three decades.”

The 7” will be available on vinyl and digital only. Thick cardboard sleeve with UV details, insert and a limited blood red color version as usual, Ván Records exclusive.

Check out the amazing video clip and and order your physical copy here.



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NECROPHOBIC and Century Media Records have just released an official video for the brand new track "The Infernal Depths Of Eternity", taken from the upcoming album "Dawn Of The Damned".

The released date of the album is set for October 9, 2020.  The album comes once again with artwork by Kristian "Necrolord" Whalin, and as you can see it has nothing to do in concept nor in color to the artwork of the previous album (irony mode on).  Pre-order here


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Yesss! KÖRGUL THE EXTERMINATOR is back. Their fifth full-length “Sharpen Your Spikes” will come as a metal fist in your face next September 9th via Xtreem Music on CD and LP formats.

The band have just released a lyric-video of the the song "The Black Goat of the Woods" as a 2nd advance single of the album. You can listen to the first advance track “Inquisitor Generalis” here.





A ferocious bat can not only bring you an unwanted dose of covid, but it can also bring you a good dose of merciless and old school metal. No less than the debut full-length of EURYNOMOS

“From The Valley Of Hades” is described as a logical continuation of the successful trilogy 7” EP series album will be released on august 31st. through Iron Pegasus records on LP and CD. Here´s a cool teaser video, raw as hell! 






KAWIR and YOTH IRIA joined forces for the release of a split EP through Hell´s Fire Records in late October.  Besides the cover artwork designed by Giannis Antoniou no further info has been revealed.

After the release of the magnificent debut EP “Under His Sway” YOTH IRIA are working on their debut full-length titled “As The Flame Withers”, to be released later this year via Pagan Records.

In the meantime here´s a lyric video of “Vision Of The Dead Lovers” (Rotting Christ cover) from their debut EP.




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Canada´s OCCULT BURIAL released the advance track Highway Through Borderland” from the band´s second album Burning Eerie Lore”.

The album will be out on LP, CD and digital thrpugh Invictus Productions on October 30th.

As on their debut album it sounds very Old-school indeed but wait…doesn´t that opening riff sound familiar? Check it out...






16 years after MESSSIAH´s last full-length, Switzerland´s thrashers return with the new album “Fracmont”. The band released a 3 track EP earlier this year ("Fatal Grotesque Symbols-Darken Universe") and the full-length will be released next September 11th by High Roller Records.

A lyric video for the track “Morte al Dente” has been released recently…






French Death Metal Veterans LOUDBLAST will release their 8th full-length “Manifesto” in early November through Listenable Records.

While we wait for some advance track maybe it´s a good time to remember one of their early killer cuts under the name of “Punishment To Come” from 1989. Enjoy…





24 August 2020

INTERVIEW with SVARTKONST



"Black Waves" is the title of the second album released by SVARTKONST from Sweden.  A one man band formed in 2012 by Rickard Törnqvist.  With two dark and powerful albums released, the man himself kindly answered some questions telling us about his devilish creature…


How did you get into Metal music? What were the first records you heard?

I guess it was my brother who got me into the heavier side of music. Can't remember what where the first records I've heard, but my parents was always listening to classic rock when growing up. I myself started with bands like Metallica, I remember buying Garage Inc and Black Album when I was very little. But the first real heavy album I bought for myself was In Flames - Clayman. I was hooked after that.


What led you to start playing this music? What attracts you most about Black Metal?

I have always been fascinated by Black Metal, and I feel like it's the best genre for creative freedom.

You started as WARG and recorded an EP under that name in 2011, then you changed it to SVARTKONST which if I´m not wrong it translates as Black Art, why did you decide to change it? Was it just a name change or do you see it as two different projects?

I see them as two different projects. Svartkonst was a step to a more matured and focused vision. So the namechange was a way to look ahead and leave the old behind and start fresh. Svartkonst is a Swedish word for "black magic" or "black art".

Was it always meant to be a one man project?

I don't think so. When I started playing I had a couple of friends who I played with. But we all had creative differences and not everyone had the same motivation or passion. So I decided to go my own way instead.

When I was searching for info about SVARTKOSNT I noticed there is another band with the same name and they are from Sweden too!! Are you aware of them? Did you had any kind of contact?

Yes I became aware of it some years after a started my Svartkonst. I think we followed each other on Soundcloud or something when we started out. I don't know if they are active anymore.

Black Waves is your second full-length released two years after the debut, I discover it recently and it was a great and pleasant surprise for me as I was instantly hooked by the sound and style of the album. How is your overall view regarding the songs and the production? 

My goal was a more refined, focused and more crushing album. A thick atmosphere of death and doom. I feel like I achieved that. The songs are vicious and pretty catchy if I can say so myself. I am very satisfied by this album


How do you compare it to your debut full-length “Devil´s Blood”? Would you highlight something that you liked more in this new album? Do you see yourself experimenting or adding different things to your style in future recordings?

For one thing I am more satisfied with the overall production and songwriting on this one, it feels more consistent than my debut. Everything is a little bit heavier, and I really like the guitar tone I achieved. I like experimenting when recording and writing, so I would definitley say that.

Regarding Devils Blood, I'd like to know what you mean exactly with the title of the instrumental track “En sten föll från mitt bröst” (A Stone fell from my chest)?

It is a nod to my father, whose name was "Sten", which also means stone in Swedish. The whole album is dedicated to him.

Now tell me about the lyrics of Black Waves, what topics do they deal with? Could you describe a bit the content of lyrics like “Stray in the Dark”, “Mountains of Flesh” or “Ruins of Splendor”?

The main themes on Black Waves is about life and death. "Stray in the Dark" is about feeling total hopelessness and despair, which may be a consequence of someone's death. "Mountains of Flesh" is about all the sacrifices and lives taken in the name of religion. "Ruins of Splendour" focuses on us as humans living and thriving on our own destruction.

What formula do you follow when you write songs? Would you also please share some details about the recording process?

It mainly starts with a riff or a melody that I evolve into something bigger. All of the recording took place at home in my home studio (Svartkonst Studios). Big focus on the Boss HM-2 and  dialing in the perfect tone. I don't know if I have any secrets that I can share. I do everything very sporadically in my recording process.

Do you consider yourself demanding at the time of the production and do you like to spend a lot of time polishing the sound?, or do you prefer something less precise that results in a rawer product?

I prefer rawer sounds, I have a hard time listening to modern bands with clean  overproduced productions. I try to leave things a little rough around the edges, and try to bring out the human elements when I'm recording. But I spend a lot of time trying to polish the sound afterwards and dialing in everything perfect for my ears, which is very time consuming. I think every artist can agree that it's very hard to decide when to put down the brush and say it's done.

I personally think that the album is a great mix of melodic passages, moments of great atmosphere and also aggressive and violent riffs. For example, two of my favorite songs in the album such as I am the void and “Mountains of Flesh” are very different from each other and are a proof that your style embraces elements of black metal and death metal. What have been your influences and how do you describe your style?

When I write music I write it for myself, and I try my best to incorporate all the styles that I'm especially fond of. Which is mostly Black Metal and Old School Death in the style of Entombed, and newer band that has evolved the HM:2-sound like Trap Them and Black Breath, they are big influences in both songwriting and sound. It's hard to describe the sound myself. But as I have written on my social medias: "One-man HM-2 driven blackened death metal band", I think that fits pretty well.

How important is the relationship between the artwork and the music? What influenced you when choosing the cover for each album? 

It is very important. Artwork is often the first thing you see, and when you find something visually pleasing you also want the music to reflect that. I got the cover for Black Waves even before most of the songs where even written, it just fitted my vision and after some fine tuning it was perfect. Created by the talented Yasinviolet.

Unlike Devil´s Blood, which was released independently, Black Waves has been released by Trust No One Recordings, how has the contact and agreement with them been?

TNOR and Tim, the man behind the label is fantastic. He actually picked up Devil's Blood just after the release, so I was just independent for a very short span. Everything has been great, I'm very grateful for everything TNOR has done.

From what I have seen so far, the reviews and reactions about black waves have been very positive, how have you felt about it?

The reviews have been overwhelmingly positive which is amazing. Releasing an follow up album can be tough. I knew Black Waves had something special and I'm glad most people seem to recognize that as well.

Would you consider recruiting musicians to play gigs or touring?

Yes, I have. And are currently rehearsing. But it's not my main focus in Svartkonst. So we will see how it goes.

What was the last concert you have attended? Was it a good show?

The last show I got to see before this pandemic was Twin Temple. It was an very enjoyable experience, if you get the chance go see them when all of this hopefully is over. I was just a couple of weeks from seeing Chelsea Wolfe which I was very much looking forward to before it got cancelled.


How important is it for you as a musician to be part of a scene? Do you agree to promote the motto "support the scene"? And how do you interpret it as a fan?

There is not much of a metal scene in my town. But I support the few things going on here. I try to support the bands I enjoy in any way I can by buying records, merch and attending shows (when that was a thing).

What´s the strangest place and the most shocking place you have been?

Don't really know.

What are your current future plans, what do you expect for the rest of 2020?

For now I'm continuing trying to promote Black Waves, producing more music for other bands, rehearsing and getting some ideas for new material.

Thanks you for your time, the final closing words are up to you…

Thank you for the interview! Check out Black Waves if you haven't already. Dyrka döden!







21 May 2020

WORSHIP VINYL: SARCÓFAGO "Hate"

Released in 1994 "Hate" is the third full-lenght of SARCÓFAGO (cult!).
When it came out I totally disliked the sound because of the drum machine.  As a fan, back then I would have liked the band to continue the style and sound they reached with the previous and magnificent album "The Laws of Scourge", and the work of Lucio Oliver on that album was brilliant. But after "Laws" Lucio and guitarist Fábio Jhasko left the band and Sarcófago remained as a duo formed by Wagner and Gerald, adding Eugenio "Dead Zone" on keyboards and drum programming.

Musically, "Hate" moved away from the more technical style of "Laws" and was somehow a return to the primitive and rawer style the band shown on their early days.  Despite the sound of the drum machine (wich I still dislike) the music is good enough to make "Hate" a brilliant album and a highlight among Sarcófago´s short discography, with great songs like "The God´s Faeces", "Orgy Of Flies", "Hate" or "Anal Vomit". 

Greyhaze Records have just reissued this album on vinyl (and tape), giving the album the high quality vinyl treatment the label usually do on all their reissues (specially all Sarcófago`s LP reissues). The audio was remastered from the original master tapes and visually the artwork honors the original releas adding 11x24 insert with "new" graphic material, on gatefold (limited) purple or black vinyl.

Order the LP here and check the album in its entirety below.

28 April 2020

WORSHIP VINYL: MARDUK "Germania"


I´m not a fan of black metal live albums, nor am I a fan of Legion´s vocal style, (though albums like "Panzer Division Marduk" and "La Grande Danse Macabre" are among my faves into MARDUK great discography) but this one might be a cool release for collectors.

Blooddawn Productions in conspiracy with Osmose Productions present the reissue of 1996 "Germania" (originally released as "Live in Germania") on unlimited gatefold 2LP black vinyl and strictly limited of 100 bloodred copies.

It was released a month ago but there are still some copies available of the limited edition (and regular black too) through the Blooddawn webstore here, and some copies through Osmose webstore (including silver vinyl version) here.  





27 April 2020

GÖDEN Reveal new track "Glowing Red Sun"


GÖDEN revealed a new track "Glowing Red Sun", taken from the upcoming debut album "Beyond Darkness".

As you may already know, GÖDEN is the continuation of WINTER. So it was officially stated by Stephen Flam. In Flam´s own words: "I write, record, and produce the music. Glowing Red Sun" was a part of music I wrote for Winter that was recorded and completed in 2003.  Winter started to work on songs during rehearsals for the reunion shows in 2011 with intentions of using these songs for the follow up to Into Darkness.  Glowing Red Sun, Night , Dark Nebula, and various riffs from the 2003 demo as well as new music I had. We tracked and recorded with Xris Flam at Gaia studio (Toni Pinnisi´s place). Winter performed Glowing Red Sun when we played with Sunn O))) at warsaw concerts in Brooklyn NY".

With this terrific track and the already unveilded "Twillight" (check out the video here) I reaffirm that "Beyond Darkness" will be the dark gem of the year.

Pre-order available  via Svart Records here.



24 April 2020

VAMPIRE release single and lyric video "Melek-Taus"


VAMPIRE released lyric video for the track "Melek-Taus" taken from the upcoming album "Rex".

The song is the first single and the final track on the album (the band previously shared a raw mix of the track "Wiru Akka")

"Rex" will be release on June 19th via Century Media on vinyl, limited CD digipack and on all digital platforms.
Pre-order available here.





20 April 2020

WORSHIP VINYL: DEMIGOD "Unholy Domain" official vinyl release


Raw Skull Recordz will release the classic and fantastic debut demo "Unholy Domain" by Finnish cult band DEMIGOD.

Originally released in 1991, "Unholy Domain" is available on vinyl for the first time, it will come in two different colors: black (limited x 100 copies), or white/blue vinyl (x 200 copies)

This is a totally official release, with permission of Esa Linden (guitar,vocals).
Pre-order available here.






8 April 2020

SADISM To release "The Sadistic Key Elements"


SADISM, one of the most veteran and prestigious band from the mighty chilean scene will release their 9th album entitled "The Sadistic Key Elements" consisting of 10 cover songs.

Regarding the selection of bands to cover, founding members Juan Pablo Donoso (drums) and Ricardo Roberts (vocals) comment: "we picked within a broad spectrum of bands that we used to listen to and had left a great impression on us, but that wouldn´t be necessarily have influence on the current sound and style of Sadism. Among the selection, the majority correspond to Thrash Metal bands (with recordings between 1984 and 1988) which was the dominant style  in those days before the rise and legacy of Death Metal in years to come.
The Chosen bands were; Dark Angel, Sepultura, Destruction, Kreator, Voivod, Hallows Eve, Assassin, Infernäl Mäjesty, Sacrifice and Mercyful Fate."

The reccording features the collaboration of a few guitar players that are friends of the band such as Enrique Zuñiga (Atomic Agressor), Álvaro Soms (Dorso), Yanko Tolic (Massakre), Igor Leiva (Capilla Ardiente/Poema Arcanus), Claudio Illanes (Undercroft/Warpath), Hernán Muñoz (Recrucide) and Chris Irarrazabal (Nimrod B.C.) playing solos in some of the tracks.
Another cool fact about this release is that the band choose to use the old logo on the album cover, it was used on the band´s debut demo "Perdition of Souls" released in 1989. 

The band revealed a teaser with extracts of each song included on the album.
"The Sadistic Key Elements" will be out on June 5th through Toxic Records on Limited LP/LP/Digi CD and digital.

Check out the full track-list and listen to the teaser below.

01- Darkness Descends (Dark Angel) ft. Enrique Zuñiga
02- Light of the end (Sacrifie)
03- Ravenous Medicine (Voivod) ft. Igor Leiva
04- Flag of Hate (Kreator) ft. Claudio Illanes
05- Pain Killer (Hallows Eve)
06- From the Past Comes the Storm (Sepultura) ft. Hernán Muñoz
07- Eternal Ban (Destruction)
08- Skeletons In the Closset (Infernäl Mäjesty)
09- Abstract War (Assassin) ft. Yanko Tolic
10- Desectration of Souls (Mercyful Fate) ft. Álvaro Soms and Chris Irarrazabal









2 April 2020

New music by FUNERAL LEECH, CULTUM INTERITUM, BALMOG

New York based death-doom metallers FUNERAL LEECH will release their debut full-lenght "Death Meditation" on April 17th via Carbonized Records.

The band unleasehd the great "The Funereality"  demo in 2017 and "The Void" single in 2018. "Death Meditation" follow the same path shown in the previous releases. Crushing death doom with an old-school vibe, utterly heavy with deep death growling vocals.

The first single "Statues" has already been revealed...




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funeralleech.bandcamp.com
Pre-order 12"LP with full color double sided insert in two variants at: carbonizedrecords.bandcamp.com



"Poisong Of Being" is the title of the upcoming debut full-lenght of CULTUM INTERITUM from Poland.

The album will be out on Godz Ov War Productions later this year "once this friggin pandemic is over". In the meantime you can check out one of the six tracks of the album, "Funeral Womb"...







Spanish black metallers BALMOG have released their new EP "Pilars Of Salt" last March 27th.

The EP consist of the 18 minutes title track, which is like an atmospheric and violent cosmic burial.
Stream the whole track and involve yourself in sonic darkness...




facebook.com/Balmog
balmog.bandcamp.com