17 October 2018


ABHORRENCE is one of the great bands emerged in the good old Finnish death metal scene. Despite the long period of hiatus, the band crushed the coffin to torment the world of the living, specially with their latest EP. Jukka (vocals) answered the following questions. Read on…in reverence for putrefaction!

You are about to strike with a new EP, tell me about your feelings and expectations towards it?
Jukka: We’re feeling very enthusiastic about it, we feel the whole EP works really well, it has a nice story arc to the music and lyrics which support each other and it sounds very brutal.
As far as expectations go, we would like for the fans of the old stuff to find it and like it, to see the growth that has happened in the almost three decades. The old stuff is so iconic to some people, that they would have trouble with new material no matter what it was. If we’d gone the route of trying to replicate the old sound, that too would have been unacceptable. So we went with “this is what we like” and hope for the best.

How long have you been working on the songs for this EP?
From 2013 in a sense I guess, but the actual “working on them together” part started for real in late 2017.
What kind of sound did you wanted to achieve? Did you let it flow naturally or did you take care of keeping certain vibe of your roots?

We wanted to have a brutal overall sound, but with unambiguous layers, so that it doesn’t get all mushy. The sound was pretty much found immediately in the first rehearsals of 2012, which is basically a lot like the sound we had in 1990, but with better gear with more variation.
Basically you can hear the sound we play with in rehearsals on the Totally Vulgar Live, since it’s pretty much unaltered from the gig.
What´s the current line up? When did exactly the band reunite and how that did happen?
It’s the same old line up, with the exception of drummer, where Waltteri Väyrynen excels.
We got back together in 2012, after we were asked to do a reunion festival appearance at Hammer Open Air in support of the upcoming Completely Vulgar compilation album. We thought about it, when Tuska Open Air got in touch as well, we figured it is very important festival to us personally and we will never have another chance to play there as a group if we don’t do it now. So we did.
Can you tell about what happened with the band members since the band stopped the activities?
Life happened. Kids, family, work, career, divorces to some. The same shit that happens to everyone. Tomi kept on working with Amorphis obviously, Jussi was in several bands, I’ve done some guest appearances and such on recording and some live events, but that’s about it.
Personally I’ve stayed with music; was a DJ for over 10 years, wrote reviews and interviews for almost 20 years and I even ended up working for a gig database service and eventually publishing house that releases music magazines among other things.
Back to the EP, tell me about the concept and lyrics, if I´m not wrong it is based on the work of Lovecraft and Timothy Morton…
Jukka: Jussi will have to reply to this one.
Jussi: The ep is a concept album. The lyrics paint a vision of the ecological catastrophe we live in using the imagery of Lovecraft. The key concepts to understand our ecological predicament come from Timothy Morton’s philosophy. The lyrics start as a horror fiction but turns into something much more personal and visceral. This is reflected in the music getting deeper and darker by each track.
Which song from the EP would you name as your favorite? Was there a song with which you had difficulties until you were completely satisfied with the result? You know, that last touch…
All of the songs have bits that I like a lot, but maybe the ease of doing vocals on Four Billion Year Dream makes it my favourite, since it’s paced nicely and let’s my voice rest in between. Hyperobject I like to listen to, it was the last song we finished, so it’s the “new one”, we made quite a few changes in the studio to it and it has the speech part that I like to hear. The End is very intense and has aggressive menacing elements, but on the other hand it has a lot of vocal work and if I get too excited with it, I feel like fainting towards the end.
What kind of reactions did you receive when the band announced the return?  Are you still in contact with bands you were in contact in the early 90s?
Most reactions were cautiously positive and surprisingly many were super enthusiastic about it, few were overly negative as is the norm today.
I’ve personally stayed in contact with the people, not so much bands as many of them have broken up. But in the general sense, yes we are.
Last year you released a live album, recorded at Tuska Open Air in 2013. How the idea of this release album happened? Was it a proposal from Svart Records?
We organized a semi-secret pre-festival gig under the name Bob Horrence (I still get a chuckle out of that), just to see how we do on stage, in front of audience and to see if people are still interested. The Svart Records music connoisseur extraordinaire Mr. Pulkki saw it and asked if we were up to having the gig recorded on the spot.
We said, OK!
It took a long time to get it out, but I’m glad it did.
Live albums are not too popular these days, but I think that one really captures what those songs should’ve always sounded like.
Tell me from your point of view the most significant differences between the underground of the past with that of nowadays? Is there anything you miss from the old days?
Most significant? Internet! Period.
From the old days I miss the slow time, the period between ordering or trading something and then getting it, which made you SO HUNGRY for the thing. You spent a lot more time on each release, because you weren’t flooded with new material on a daily basis.
It was also so small and intimate that you had great relationships with almost all people involved. It was missing the clique mentality and it seemed most people were open to all kinds of extreme music. Up until the ridiculous “trve black” crap started it was just music you liked or didn’t like, nothing else mattered.
How do you see the current scene, the global scene and the scene in Finland?
I’m the wrong guy to ask. The kids have their own thing, tho it seems to me the biggest of the speed/thrash revival is already starting to die down. I’m a 46 year old graying dude, who likes heavy as shit music and happens to grown in an old band. I have no idea what the scene is like today, my fucking geriatric metal scene is the same as it ever was.
Looking back, what do you think of the demo and the 7” and the potential that the band had? What comes to mind when you think of those days?
It’s what it is. The potential was already waning towards the end, due to each individual member getting into wider variety of music and interest in extreme metal was not on the top.
When I think back, I only feel elation! It was so much fun, even after the band broke up, we kept on keeping on with great gigs and festivals and hanging out.
Do you remember when and why did the band decide to change the old logo for the current one? Who designed both logos?
First one was designed by Jussi. It was too frilly and fiddly really. When Luxi did our 1990 EP cover, and one of the old shirts as well, he designed the new one and we liked it a lot more.
I think he used our design as the source material and made it a lot more sensible, but I’m not sure about that.
What does the song Vulgar Necrolatry means for you? Do you have any special memory or anecdote connected to this song? Which version of the track would you say is the best, the demo version, the “Privilege of evil” version (in which you recorded the vocals) or the “Karelian” version? (The last two recorded by Amorphis)
It’s been along for most of the ride, so it’s really hard for me to say anything about it. We liked it so much that we gave the same name to our first demo.
A lot of bands have covered this track, so it apparently means a lot to other people. As far as the different versions go, I think they all have their merits. There is actually yet another version of it from 2009, by a Finnish band called Stench of Decay, which I also did guest vocals on (on their second demo tape). You can find a live version of it with their own vocalist on Youtube, which is pretty harsh and very fast.
Which are your favorite Finnish bands?
I listen to all kinds of music, so the styles of these are all over the place.
Right now I listen to Finnish bands like Caskets Open, Warp Transmission, Skepticism (R.I.P., but Svart Records is releasing a remastered version of Stormcrowfleet, which is excellent), Dark Buddha Rising, Throat (they just put out a great album), Reverend Bizarre (R.I.P.), Fleshpress (especially live), Vorum's Grim Death Awaits was awesome (haven't listened to the newer ones that much, yet), Circle, Superfjord, Teksti-TV 666 (especially live), The Mutants, last Plain Ride record is excellent, Musta Risti, PH (ex- Mr. Peter Hayden) and so forth. I could go on.
How did you live the emergence of black metal bands? What was your opinion of bands like Beherit or Impaled Nazarene at the time?
Personally it didn’t make much of an impact, I actually started properly listening to black metal as late as 2005 or sometime after that and I’m still very picky with it. Back then I found the whole satanist movement the same as I found any religious nonsense, kind of silly. I still do to some extent.
Esoteric knowledge and arts are great tho, I’ve read up a bit on the occult myself, but the whole scene took itself too seriously and the theatrics didn’t help any.
I don’t remember having any opinions on Beherit. Impaled Nazarene I saw play around 1991-92 and thought it was slightly interesting, but they were usually very drunk live.
What’s the strangest place and the most shocking place you have been?
I take it this is in context of the band or related to that, so I’ll just mention the party at the Mayhem house, back in 1990, where our hosts were Euronymous and Dead.
There were about 15 people, us included, one of who was Metalion of Slayer Mag. It was a great trip, slightly unnerving due to their passing out rituals (if you passed out, they’d fuck with you, ie. when Metalion dropped, Euronymous lit up his socks and let it burn until he woke up. Severe burns to couple of his toes I think) and Dead’s erratic behaviour, but we had great discussions with Euronymous and great time overall.
As far as strangest, it was a small village up north in Finland, I forget where exactly, and the locals offered us their kilju, (https://en.wikipedia.org/wiki/Kilju basically strong sugar wine) which was brewed in the district heating cross-connection site. It  was like an cramped underground concrete bunker with hot pipes going through, while outside was -25 °C the inside was humid 30 °C and the drink was horrible as well. You also get very drunk, very pukey and the next day you have a disgusting hangover from it.
What will be the next steps for Abhorrence? Shows, new songs for the upcoming album? Any scheduled date? 
Nothing planned really.
Possibly few festivals sometime next year. We are thinking about making new tunes, but things being the way they are, it’s better to not promise or deny anything.
Thanks you for your time, last words are yours...
Thanks for the interview!
Everyone reading till the end; Support your favourite bands! It’s increasingly hard for anyone to be seen and heard by interested people. Don’t forget to support your local artists, venues and records stores too. Stay brutal!

THRONEHAMMER - Hammer Stake and Cross

Awesome stuff from THRONEHAMMER! I follow and like most of  the bands that Kat Shevil Gillham is involved, Winds of Genocide, Lucifers Chalice and Uncoffined (Cult Doom Metal Of Death!!!) so I was longing to hear Thronehammer´s music, since the details that were reveaded little by little became more interesting. 

The first song unveiled by the band, "Hammer Stake and Cross" is a huuuge dose of dark, old school doom, it reminded me a litle to Kat´s old band Blessed Realm, but this is heavier and far way darker. The track will be released in the 10" split vinyl "Vampire Bites" with Lord Of Solitude, coming in Novembrer through Church Within Records

"Bat Wings Take Flight..."

Kat Shevil Gillham - Vokills
Stuart Bootsy West - Guitars, Synth, FX

10 October 2018

OBLITERATION "Cenotaph Obscure" LP

After the great “Black Death Horizon” album released  years ago, Norway´s OBLITERATION return with their 4th  full length  “Cenotaph Obscure”.
The album will be released by Indie Recordings on November 23rd.
"Detestion Rite" is the first single, check it out...


"Yet The Watchers Guard"
Stream From the Heavens
1994 Avantgaarde Music

9 October 2018

ARTILLERY "The Face of Fear"

Danish Thrash metallers ARTILLERY releases new album "The Face Of Fear" next Nocember 16th through Metal Blade.
The video for the title track has been released, and the next single "Crossroads To Conspiracy" will be released on October 17th.

In the meantime check out "The Face Of Fear". Classic thrash metal at its best.


"Drowning In Torment"
Ticket To Mayhem
1987 Roadrunner Records

8 October 2018


Underground still means underground, so if you are eager to find bands full of  passion, dedication and hunger for the underground, you should check out this young band from Montevideo, Uruguay. And with cool name like PANDEMONIUM you just can't ignore a good listen.  Read the following interview with Gabriel (guitars) and fall into the…

Tell us about the very beginning of the band, what was the motivation for you to form Pandemonium? 
Pandemonium is: Andrea - Bass / vocals, Mateo – Drums, Gabriel – Guitars. Pandemonium was born in mid-2013 when we met in a rehearsal, in an audience for a local band, there was a connection between us which immediately implied leaving that project and following our path as a trio with the following lineup: Heber  - Drums, Gabriel - guitars / vocals, Andrea -  Bass / vocals. That line up lasted more than a year but it ended up when Heber decided to end his cycle with us, perhaps the main objective was the need to bring something to the scene. We immediately began the search for a new drummer, we aimed to find a person who would fit into that idea of unity and fluidity. It took us until November 2016 to find Mateo whom for our luck was in search of playing a more extreme style, it was a perfect connection.

Why Pandemonium as the name for the band?
The name is taken from the book "Paradise Lost" (1667) by John Milton and at the time it just seemed a worthy name for an extreme metal band. (Oooh, so certain album from certain cult band from Switzerland had nothing to do with it? I´m disappointed ;) - Chris)
What do you think were the most important bands or albums that influenced you in the very beginning?
A few of them would be: Sodom - Obsessed by cruelty / Kreator - Pleasure to kill / Cryptopsy - Blasphemy made flesh  / Gutted - Bleed for us to live / Slayer - Show no mercy / Emperor - In the nightside eclipse / Immortal - Pure holocaust
Did you play any cover tunes?
Just once, at the "Metal invasion in Shangrilá II" in June of 2017, after being without playing live for a good time, we returned to stage with our current line-up, and the last track we played that night was Sodom´s Proselytism Real (great choice! – Chris).
Last year you released your debut demo “Resistencia” through Extreme Resurrection Records, please tell us about the demo.
The demo consists of 5 tracks, to depict the Uruguayan scene and its difficulties we named it "Resistencia". These 5 tracks go through our influences in some way, so we believe a harmonious sound was achieved in all of them, without being locked in a specific genre.
We are very happy to have been able to capture the sound of Pandemonium in such an integral way. Resistance is a rehearsal that wasn’t modified at all, one of many in our usual rehearsal room. We are very satisfied to be able to present ourselves in such a faithful way, and mostly in tape format with the tremendous support of ERR, For those who do not know Extreme Resurrection Records it is a local label, they release only 50 limited copies numbered by release, and are somehow responsible for reviving the local underground.
How do you describe the music of Pandemonium? What kind of sound do you want to achieve? Are you satisfied with the sound on the demo?
Pandemonium is fast, dense, dark and extremely aggressive, with strong lyrics and riffs, also with “clear” passages that generate this strange feeling of fear.
We are extremely satisfied with the sound of the demo, is the most faithful thing we could do, and we did it.
Andrea, I really dig your vocal style, which female and/or male voices have inspired you to sing this way?
Andrea - Honestly, I can´t say that there is only one voice that has inspired me, I suppose that everything I have heard had an influence on what I do today. First of all I'm a bass player, and I do what I can with my voice! I try to be dynamic and very aggressive.
I started doing some backing vocals, feeling a bit embarrassed, and suddenly I was singing a complete song, the development was step by step evolving to what it is today. In the end, the greatest inspiration were and are my bandmates, always supporting me.
Lyrically where do you draw the inspiration from for the lyrics? It´s great to hear you singing in your mother tongue, will you continue writing lyrics in Spanish?
Andrea - The three of us write lyrics, so inspiration may come through a thousand things. There are more thoughtful lyrics and others written in a more spontaneous way. The lyrics of "Caé Ya" (Fall now) was written and then recorded in the same rehearsal.
Something characteristic is the aggressiveness, hatred, frustrations, disagreement with what you see on a daily basis, in a way it is our answer to the reigning social schizophrenia. For me is the best way to express it, because it's never easy to sing what someone else wrote.
For us, it is fundamental to write in our language, which makes our message to be authentic.
How important are the lyrics for the concept of the band?
Essential! Something important is that the lyrics have to be understood by our local fans, the lyrics are what defines the band, besides our music.
What can you tells us about the current Uruguayan scene? Are there any bands that you respect for their attitude and/or music?
There is more than one metal scene in Uruguay, I can talk about the one we like and we feel part of it. It is a scene of a few bands very united, not for the pose or fame, neither to cash in, nor even less to pay to play gigs for friends. It is a self-managed scene, where there is unity. Radios, fanzines, with the crazy person who make their own patches, the children who like metal and also have the right to grow with that scene. As for bands that we respect: IDIOCONSUMISIÓN, DEFORME, PHERETRUM, COMEMIERDA bands that nowadays are, perhaps, the pillars of the Uruguayan underground.
How many gigs have you played so far? How do you describe your shows?
Since the beginning of the band until now...  difficult to say but maybe about 15 shows more or less. There have been of all kind of experiences, shows with almost no audience at all, and others in which the public has never stop showing energy, that's what is important and perhaps our main characteristic, to give a show full of energy and aggressiveness.
Have you considered adding new members to achieve a more full sound or are you content with the line-up as it currently exists?
Our sound is already achieved or defined, we feel much identified with the result, and we have achieved it in part due the good communication between us, which makes the work done quickly and satisfactorily for everyone. We have had only one line up change, since then it could be said that our sound found its identity at its maximum expression.
Would you name five classic albums to which you are continually hooked and five “new” albums that caught your attention lately?
Classics: Death - Human / Slayer - Raining blood / Obituary - Slowly we rot / Incantation - The blasphemous cremation / Cannibal corpse - Eaten back to life

New LPs: Pheretrum (Uy) - Alienated demons / Presumed death (Ita) - Defunct Existence / Ectoplasma (Gre) Skeletal Lifeforms / Deathly Scythe ...Will of death /  Deforme - Etchepare micronarcosis macronecrosis
What´s the strangest place and the most shocking place you have been?
That crown goes to an open air show called "BARROS BLANCOS METAL WINE" which is celebrated in the city of Barros Blancos (25 km from Montevideo). In its third edition we were invited by its organizer Andres Clavijo, vocalist of Idioconsumision, a brutal death metal local band, to what it supposed to be just some friends in the backyard of their own house, new year´s eve, although when we arrive we came across what seemed to be the true face of the underground, 12 hours of extreme metal.  Bands and  audience were just one thing, adults, children, curious neighbors, all in harmony letting themselves be carried away by the brutal sound... laughter,  drunkenness...even accidents that left scars to remember and laugh, a whole day to remember, driven by people that take metal seriously, true POISON FOR POSERS !!!
What are your current future plans?
We are working on what will be our first studio LP.
Thanks for your time, last words are yours…
And last but not least, a request, do not let your scene die, do what is at your fingertips to keep it alive, bands, fanzines, radio spots, blogs, etc. ...
Buy physical copies, and spread it to all around you.
Anyone interested in more information about Pandemonium contact Pandemoniumuy@gmail.com